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Figure in Kasukabe Flood Tank

A lone silhouette of a person walks through the vast, concrete-pillared underground flood control tank in Kasukabe, illuminated by a row of warm work lights against a hazy, dark background.

The pressure-control tank of the underground flood channel at Kasukabe outside Tokyo, a lone figure in silhouette mid-turn between the giant concrete pillars, lit from behind by a row of work lamps along the far wall, the pillars' long shadows reaching toward the camera through damp haze, a palette of concrete grey, sodium amber and black, 24mm See more

#Contemporary in empty halls

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A lone person stands on the concrete floor of a vast underground flood control tank, illuminated by a single shaft of daylight streaming from an overhead hatch amidst numerous massive concrete pillars.

A group of zombies in tattered coats wades through the shallow, dark water of the Basilica Cistern in Istanbul, illuminated by amber lights at the base of marble columns.

A lone figure stands at the far end of a dark, concrete underpass, silhouetted against the bright orange glow of streetlights.

A small child walks away from the viewer down a long, empty school corridor toward an open doorway filled with bright morning sunlight, with dust motes visible in the light beams and reflections on the polished floor.

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A black and white photograph captures a long, narrow loggia at night, featuring patterned textile-block walls illuminated by a single light source at the far end, casting long shadows and silhouetting a lone figure.

A view inside a deep, cavernous chalk quarry with scalloped walls, illuminated by warm artificial lights and a distant square of daylight from above.

A dimly lit, curved concrete maintenance tunnel under the Mega Pizzaplex of Five Nights at Freddy's: Security Breach features exposed pipes and cables running along the walls, with puddles on the floor and a single glowing orange caged light hanging from the ceiling.

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The interior of the Notre Dame du Haut chapel in Ronchamp features thick, textured white walls with irregular, scattered windows that cast colorful light onto the concrete floor.

A dark silhouette of a person stands in a doorway at the end of a long, dimly lit hallway, illuminated from behind by the blue glow of a television screen.

A lone man in a dark jacket stands on a wet, reflective stage floor under a heavy downpour of rain, illuminated by a single bright white spotlight from behind.

A lone person walks down the center aisle of a vast, stone cathedral with tall columns and shafts of light streaming through high windows.

A derelict, flooded ballroom with fluted columns and ornate gilt wall panels, illuminated by a single shaft of sunlight streaming through a broken skylight.

A high-angle, symmetrical view looking down from the metal catwalks of a theater fly grid onto a brightly lit stage below, with vertical ropes and steel structures framing the scene.

An empty, dimly lit underground road with green steel support columns and orange sodium lighting reflecting off the wet concrete surface, with steam rising from a grate.

A choir in dark robes stands in the nave of a cathedral at night, illuminated by rows of candles along the choir stalls that cast warm light upward onto the stone architecture.

A lone figure performs a backbend on a concrete ramp inside the vast, hazy Turbine Hall of the Tate Modern, illuminated by a single shaft of light from above.

A silhouette of a person mid-leap on the dusty floor of a large, circular, disused concrete silo, with light streaming down from an opening at the top.

A lone figure walks across the concrete floor of the interior of the Church of Saint-Pierre in Firminy, illuminated by a single shaft of sunlight from above and a constellation of light points on the wall.

A wide-angle view of a dark, abandoned concrete submarine bunker with black water in the bays, illuminated by shafts of sunlight piercing through holes in the ceiling and walls, with seagulls perched on a rusted metal gantry.

A lone microphone stands on a stand in the center of a circular, concrete-walled room, illuminated by a single shaft of sunlight streaming through a hatch in the ceiling.

A stooped person with thin white hair stands with their back to the camera in a dark, rock-cut chapel, illuminated by a single shaft of sunlight streaming through an oculus above, surrounded by incense smoke and stone carvings.

A row of matte black android figures with glowing amber neck rings stand in individual concrete alcoves along a wet, dimly lit hallway.

The interior of a dark, vaulted stone hall with rows of basalt pillars, illuminated by a single beam of golden sunlight streaming through an arched doorway at the end of the aisle.

A person stands at the edge of a still pool of water inside the Salt Cathedral of Zipaquirá, with the cavern's violet and blue illuminated rock-salt walls reflected in the water.

A curved pedestrian subway with cobalt blue tiled walls and overhead strip lighting, featuring a prominent shadow of a person cast on the wall.

A wide-angle view of a multi-level library reading hall at night, featuring terraced wooden desks illuminated by warm lamps under a dark, slanted ceiling with skylights.

A low-angle view inside a dark, cavernous structure with charred, ribbed concrete walls and a teardrop-shaped opening in the ceiling that allows a single shaft of daylight to illuminate a pool of rainwater on the floor.

A miner stands in a dimly lit underground tunnel, illuminated by a bright headlamp that cuts through the dust against textured sandstone walls, with a string of small lights receding into the darkness.

Two pale figures stand on the shore of an underground lake within the vast, striped grey and white cavern of the Salina Turda salt mine, illuminated by rows of glowing gold pendant lamps reflecting in the dark water.

A lone figure walks up the wide, wet stone steps of a grand building shrouded in thick morning fog, with two glowing lamps illuminating the entrance.

The interior of a brutalist church features raw board-marked concrete walls, rows of wooden pews, a stone altar, and a cross, illuminated by vertical shafts of light from high narrow windows.

A tall, thin, humanoid silhouette stands in a brightly lit doorway at the end of a dark, dilapidated hallway with peeling wallpaper.

A 28-year-old woman with a curly auburn bob stands in the center of a long, dilapidated, dimly lit asylum corridor illuminated by a single overhead light.

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A figure in a hat and long coat is reflected upside down in a rain-filled puddle on a cobblestone street beneath the illuminated porticoes of Bologna at night.

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A wide-angle view of the interior of the Juma Mosque in Khiva, featuring numerous intricately carved wooden columns and shafts of sunlight streaming through roof openings onto the brick floor.

A shaft of light streams through a cross-shaped window into the dimly lit, stone-carved interior of an ancient church, illuminating haze and figures draped in white cloth.

A lone clown stands in the center of a dark, wet, multi-storey parking garage, illuminated by a single overhead fluorescent light.

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A dimly lit, narrow concrete basement corridor features exposed overhead pipes and a series of caged light bulbs, with an open door on the right revealing a bright, cool-toned room.

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The interior of the Great Mosque of Djenné features massive mud-brick pillars with shafts of sunlight streaming through roof vents, illuminating the earthen floor and casting bright discs of light in a dusty, warm-toned prayer hall.

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