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A black and white copperplate engraving depicts a dense mountain village built on a steep slope, featuring stone houses, a central church tower, and rugged peaks in the background.

A copperplate engraving of a mountain town on a slope at morning, the houses in cross-hatched blocks, a church tower rising, the peaks in tapering lines, bare paper for snow, black ink on cream paper, the light from the right implied by the hatching, the plate filling the frame with no paper margin or border, flat and square-on. Mehr sehen

#Cities and views

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A detailed pen and ink drawing of an Italian hill town featuring stacked stone buildings, a central campanile, and olive terraces on the hillside.

A detailed graphite pencil drawing of a Swiss alpine village with snow-covered chalets nestled beneath the towering, snow-capped peaks of the Eiger, Mönch, and Jungfrau mountains.

A detailed black and white copperplate engraving depicting a fortified medieval town situated on a terraced hill, with a winding path and small figures at the base.

A woodcut-style print of the stepped village of Masuleh, Iran, featuring ochre-colored houses built into a hillside with prominent wood grain textures and dramatic lighting from the left.

A black and white copperplate engraving depicts a medieval castle perched atop a craggy cliff overlooking a river gorge under a stormy, dramatic sky.

An ink sketch of the ksar of Aït Benhaddou featuring earthen kasbahs with crenellated towers situated on a hill above a dry riverbed with palm trees.

A copperplate engraving depicting the monasteries of Meteora perched atop tall rock pillars, with mist filling the valley below and detailed hatching used to define the cliffs and architecture.

A detailed ink sketch depicts the village of Rocamadour with its stone houses and chapels built into a steep cliffside above a gorge.

A pastel drawing of the stone village of Castelmezzano nestled among jagged, misty mountain peaks with soft, muted tones of dusty rose and olive grey.

A black and white copperplate engraving style illustration depicts a frozen fjord at night under the aurora borealis, with small cabins and a ship in the foreground and snow-capped mountains in the background.

A collage of an Italian hill town with tall towers and clustered houses, created from layered, torn, and textured papers in shades of buff, umber, and faded rose.

A black and white ink wash drawing of a snowy hillside village featuring stone houses, a prominent minaret, and bare trees.

A charcoal and white chalk drawing on toned grey paper depicts a whitewashed cave dwelling carved into a hillside, featuring an arched doorway and a prominent chimney.

A black and white ink wash drawing depicts a traditional mountain village nestled among terraced hillsides, with soft clouds filling the valleys.

A figure in a long black cape with broad shoulders stands with their back to the viewer, looking toward the stone towers of the village of Shatili in the Caucasus mountains during a snowstorm, rendered in a charcoal and red risograph style.

An ink wash painting on paper depicts several medieval stone towers in a snowy mountain landscape, with the towers rendered in dark, vertical strokes that bleed into soft, grey clouds.

A charcoal drawing on grey paper depicts a dramatic, rugged mountain pass with sharp, craggy peaks, deep shadows, and highlights on the ridges.

A high-angle ink and wash drawing of a dense city neighborhood featuring numerous tiled roofs, chimneys, and narrow streets at dusk.

A black and white etching depicting a rugged mountain peak rising above a lake under a stormy, overcast sky.

A conté crayon drawing on buff paper depicts the stone hamlet of Bulnes nestled in a deep limestone valley surrounded by towering, jagged mountain peaks.

A charcoal drawing of the abandoned Kennecott mine buildings perched on a rocky slope above a glacier, with sunlight breaking from the left.

A black and white etching in the style of Samuel Palmer depicts a thatched cottage beneath a large tree, with a shepherd herding sheep along a path in a rolling valley under a bright evening star.

A high-angle view of a walled hill town with spiraling lanes leading to a summit castle, surrounded by terraced orchards and vineyards, with a misty river valley in the background, rendered in an etching style.

A watercolor and ink illustration of the town of Albarracín with rose-ochre houses perched on a cliff edge above a gorge, featuring a stone fortress wall on the ridge behind during a light snowfall at dusk.

An oil painting depicts a dense cluster of houses with terracotta roofs perched on a rocky cliff, surrounded by a winding river under a vibrant sunset sky, with a castle visible on a distant ridge.

A watercolor painting depicts a village of stone houses nestled at the base of jagged mountain peaks during a heavy rainstorm, with dramatic light and dark indigo washes.

A stylized illustration of a monastery perched on a rocky cliffside above a layer of mist at sunrise, rendered in a two-tone teal and orange color palette.

A black and white ink wash drawing depicts a small stone cabin perched on a rocky cliffside surrounded by jagged mountain peaks and pine trees.

A watercolor painting depicts the terraced ochre houses of Masouleh nestled into a misty, forested mountain slope at dusk, with glowing yellow windows and blue-grey fog.

An Expressionist oil painting depicts a village in Murnau with an onion-domed church and gabled houses in vibrant orange, pink, and emerald hues, set against a deep cobalt mountain ridge with a winding yellow road in the foreground.

A detailed copperplate engraving depicts a cathedral with twin spires rising above a dense city of timber-framed houses along a riverbank at dusk.

An aged-paper collage depicting the walled city of Dubrovnik, featuring Fort Lovrijenac on a rocky outcrop, terracotta-roofed buildings, and a blue-grey sea.

A black and white copperplate engraving depicts the Mont-Saint-Michel abbey perched on a rocky island under a full moon, with tidal waters flowing across the foreground sands.

A collage of Florence, Italy, created from torn paper, featuring the cathedral dome and terracotta rooftops along the Arno River at sunrise.

A detailed copperplate engraving in sepia ink on cream paper depicts an overshot water wheel turning beside a stone mill, with water spilling from the buckets into a stream.

A watercolor painting depicts a chapel with a bell tower and tiled roofs emerging from a dense, misty hillside landscape.

A black and white copperplate engraving depicts a city with domed buildings along a bay, with Mount Vesuvius erupting in the background under a dark, cloudy sky.

A detailed pen and ink drawing of a narrow street in Sana'a, featuring tall, multi-story stone tower houses with intricate white gypsum-framed windows, with the upper levels illuminated by dawn light and the lower street level rendered in dense cross-hatched shadow.

A linocut-style print depicts a Mediterranean hill town with stone houses, a prominent campanile, cypress trees, and terraced olive groves, rendered in black ink and olive green on cream-colored paper.

A sepia ink wash drawing depicts traditional cave dwellings carved into terraced loess hills in northern Shaanxi, featuring arched doorways and rugged gullies under a dark, moody sky.

A graphite pencil drawing on tan paper depicts the Tre Cime di Lavaredo mountain peaks at dawn, with the Rifugio Locatelli building in the foreground.

A black and white copperplate-style engraving depicts the medieval towers of San Gimignano rising above a landscape of terraced vineyards and morning fog.

An etching with aquatint depicting the Cliff Palace at Mesa Verde, showing stone towers and dwellings nestled within a sandstone alcove under a large rock overhang.

A black and white ink drawing of a stone mountain hut situated on a rocky saddle, set against a backdrop of jagged mountain peaks.

A detailed drawing of the terraced village of Masuleh in Gilan, featuring ochre-colored houses built into a steep slope where the roofs of lower levels serve as walkways for the houses above, all set against a soft, foggy background.

A high-contrast, black-and-white ink drawing of a mountain valley landscape featuring jagged peaks, a dense forest of trees, and a winding river.

A detailed graphite pencil drawing of a Mediterranean coastal village with stacked houses, a bell tower, a pebble beach filled with rowing boats, and calm water.

A circular copperplate etching depicting an Edinburgh mandala, with the castle on its rock at the center surrounded by spiraling rows of crowded tenements, crow-stepped gables, and chimney pots.

A pen and ink cross-hatched drawing of the Ostrog Monastery built into a rocky cliffside above a pine forest.

A watercolor painting depicts a snow-covered Swiss village nestled in a valley beneath the towering, rose-tinted peaks of the Eiger, Mönch, and Jungfrau mountains at sunset.

A stylized, risograph-style illustration of the walled town of Lo Manthang, featuring densely packed red and ochre buildings surrounded by mud walls against a backdrop of banded cliffs under a dawn sky.

A watercolor painting of a snowy Swiss village with timber chalets nestled in the Alps during a blizzard, featuring a muted grey-blue palette and soft indigo shadows.

A three-color screen print of the coastal town of Kotor at blue hour, featuring the illuminated city walls zigzagging up the dark mountain, the old town buildings at the water's edge, and their reflections in the bay.

A post-impressionist landscape painting depicting Mont Sainte-Victoire rising above a valley of geometric fields, olive trees, and small houses, rendered in a palette of ochre and blue.

A stylized lino-cut print depicts a Tuscan hill town at sunset, featuring radiating gouge marks in the sky, cypress trees in the foreground, and terraced fields in a palette of terracotta and olive green.

An ink wash drawing of the town of Sorano perched on a tufa cliff, illuminated by a single shaft of sunlight breaking through dark, stormy clouds over the Lente gorge.

A monochromatic ink wash painting depicts a cluster of stone houses nestled beneath the jagged, misty peaks of the Lucanian Dolomites during a snowfall.

A black ink illustration with crosshatching depicts the hilltop town of Civita di Bagnoregio perched on a cliff, connected by a long, narrow footbridge to the foreground, surrounded by a vast, empty expanse representing fog.

A brush-pen ink illustration of the Stari Most bridge in Mostar, featuring the stone arch spanning the river between historic buildings and rocky cliffs.

A black and white lino-cut style print depicting the stepped village of Masuleh covered in snow, with houses built into the mountainside and surrounded by a forest.

A red chalk drawing depicting the two-storey Surb Astvatsatsin Church at Noravank, featuring its distinctive cantilevered stone staircase, set against the rugged cliffs of the Amaghu gorge.

An ink and wash illustration of a whitewashed monastery perched on a rocky cliff above a sea of clouds at dawn, featuring a stone staircase, cypress trees, and a walled garden.

A black and white ink wash drawing depicts a monastery perched on a steep cliffside, featuring tiered roofs, stone staircases carved into the rock, and deep shadows in the surrounding gorge.

A watercolor and ink sketchbook illustration of the medieval stone towers of Ushguli in Svaneti, set against a snow-covered mountain range at dawn with pink-tinted peaks.

A detailed ink and watercolor sketch of the abbey church of Sainte-Foy in Conques, France, rising above a village with slate roofs and surrounded by mist in a valley.

A layered paper craft artwork depicting the hillside town of Gjirokastër with its signature white tower houses and grey slate roofs, set against a backdrop of blue-grey mountains under warm afternoon light.

A sepia-toned photograph of the Stari Most bridge in Mostar, featuring a collage effect where the river is replaced by a vibrant, jade-green hand-tinted section.

An oil painting depicts a stone hill village in Umbria at golden hour, featuring stacked houses, a prominent bell tower, and dark cypress trees under a dusty blue sky.

A soft pastel drawing on grey-blue paper depicts the village of Yubeng with rustic log houses nestled in a snowy valley beneath the towering, snow-capped Meili peaks at twilight.

A travel-journal sketch of a narrow cobblestone street in Ribe, Denmark, lined with half-timbered houses and featuring a pale, foggy view of the cathedral tower in the background.

A detailed etching of the Ponte Vecchio in Florence, showing the bridge's arches and overhanging shops reflected in the river below.

A monochromatic green-toned illustration of an abandoned village with stone cottages, a dirt path, and a bare tree, rendered in a grainy halftone style.