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Traditionelle Masken an einer Scheunenwand

Several wire-mesh masks with red, yellow, and green patchwork pointed hoods hang on nails against a weathered grey wooden barn wall, illuminated by the warm, low-angle light of early morning.

Wire-mesh masks and tall pointed capuchons in red, yellow and green patchwork hung on nails on a weathered cypress barn wall near Eunice at first light on Mardi Gras morning, the low sun through the gaps in the boards striping them, 50mm, a palette of patchwork red, cypress grey and dawn gold Mehr sehen

More images like this

A row of traditional Hahoe wooden masks in red, white, and pale wood finishes hangs on a textured clay wall under the thatched eaves of a building in Hahoe village, illuminated by warm, low-angle sunlight.

Several ornate, horned devil masks painted in red, green, and gold are hanging on a wooden workshop wall, illuminated by a nearby desk lamp above a cluttered workbench.

A group of Phi Ta Khon festival participants wearing colorful patchwork costumes and elaborate, tall spirit masks walk down a dusty village lane during golden hour.

A sewing room in Juazeiro do Norte is illuminated by morning light streaming through a window, highlighting a rack of colorful, layered quadrilha dresses and a straw hat resting on a sewing table.

Two traditional Rajasthani kathputli string puppets dressed in red and gold brocade hang against a textured ochre wall in a courtyard, illuminated by warm, low-angle sunlight.

A workshop in Mamoiada featuring numerous carved wooden Mamuthones masks hanging on a whitewashed wall, with wood shavings scattered across a workbench illuminated by a lamp from the left.

A carved wooden mask with painted features and glass eyes sits on a cluttered workbench in a workshop, accompanied by a crown of white ostrich plumes, illuminated by afternoon sunlight from a nearby doorway.

A vintage circus tent with painted banners and a ticket booth stands on a muddy field at dusk, illuminated by a string of warm light bulbs.

A workshop filled with rows of papier-mâché heads and a large, unfinished sea captain head, illuminated by hanging work lamps with paint supplies scattered on the floor.

A straw fedora hangs on a wooden peg, backlit by golden hour sunlight that illuminates the woven texture of the brim.

A row of large papier-mâché figures, known as higantes, stand in a bamboo workshop at dawn with sunlight streaming through the open structure.

A rack of colorful, sequined Murga costumes and top hats hangs in a dimly lit, rustic hall under a single bare lightbulb.

A traditional house in Lucban decorated with colorful kiping rice wafers, rice stalks, and produce during a rain shower, with the wet street reflecting the vibrant colors.

A row of vintage hand saws hangs from a wooden rack inside a dimly lit barn, with a shaft of sunlight illuminating the serrated edges.

An open, scuffed blue steamer trunk filled with worn, paint-chipped juggling clubs sits in a dimly lit tent, illuminated by a shaft of natural light.

A collection of ornate Venetian carnival masks with gold, porcelain, and feathers rests on a velvet-covered table in a workshop overlooking a canal.

A handcrafted papier-mâché fox mask with orange and white painted details hangs on a textured dark teal wall under soft lighting.

A performer wearing a traditional Hudoq mask and a costume made of shredded banana leaves dances in a riverside village during the early morning, with onlookers watching from wooden stilt houses.

Rows of unpainted wooden wayang golek puppet heads sit on shelves in a workshop, illuminated by late afternoon sunlight filtering through bamboo slats, with wood shavings scattered on the floor.

Rows of carved and painted Moriones masks with plumed helmets are displayed on a bamboo wall, illuminated by warm, low-angle sunlight.

A row of colorful, patchwork elephant-shaped fabric masks hangs on a clothesline in a sunlit courtyard with a palm frond overhead.

A close-up of a red-faced Rahwana wayang golek puppet with a gilded crown and batik robe, illuminated by a single overhead oil lamp in a dimly lit room.

Three ornate, colorful papier-mâché masks—a lion, a goddess with a peacock, and a multi-eyed demon—are mounted on a textured mud wall in a workshop, illuminated by warm, late afternoon sunlight.

A row of traditional Wayang Golek rod puppets, including a red-faced clown figure, are held above a banana trunk during a performance under a single overhead light.

A detailed, ornate Diablada mask featuring red, gold, and green colors with serpent motifs sits on a cluttered wooden workbench in a workshop, illuminated by natural afternoon light from a nearby doorway.

A person wearing a traditional Jamaican Jonkonnu Pitchy-Patchy costume made of red, green, and gold fabric strips stands in a dusty village street, backlit by the low sun with onlookers in the background.

A collection of colorful, patterned coiled grass baskets and lids hang on the red and green painted walls of a traditional Harari house, illuminated by a shaft of afternoon sunlight.

A workshop filled with colorful paper kites hanging from the rafters and a large kite frame resting on a wooden table, illuminated by sunlight streaming through a window.

A row of colorful, hand-painted sugar statuettes depicting paladins, dancers, and horsemen sits on a marble shelf in a sunlit pastry shop.

A Sicilian marionette knight in ornate metal armor and a red plumed helmet hangs from a rod in a dimly lit backstage area, illuminated by a single overhead light bulb.

A middle-aged man with Southeast Asian features, wearing a batik iket on his head, performs as a dalang in front of a row of wayang golek puppets under warm lighting.

A golden Venetian carnival mask with black feathers sits on a piece of crimson velvet in a cluttered artist's workshop, illuminated by soft window light.

A performer in a traditional red Klana mask and ornate gold costume dances in a stone courtyard at the Kasepuhan Palace in Cirebon, illuminated by warm late afternoon sunlight.

Sensay masqueraders wearing horned masks and costumes made of shredded cloth and dried banana leaves walk down a street lined with wooden buildings during a carnival in Dominica, illuminated by low afternoon sunlight.

A wooden workbench in a workshop displays several Hahoe masks in various stages of completion, ranging from raw blocks of wood to a finished, painted mask, alongside a roll of carving chisels and wood shavings, illuminated by soft light from a paper-screen window.

A collection of colorful, hand-painted ceramic calaveras sits on wooden shelves inside a rustic workshop, illuminated by natural afternoon light streaming through an open doorway.

A large, detailed papier-mâché king's head with a crown sits on a workbench in a cluttered artist's workshop, illuminated by natural light from high windows.

Rows of traditional Balinese Topeng masks, including red demons and white-faced characters with gold crowns, hang on bamboo racks inside a rustic woodcarving workshop illuminated by slanting afternoon sunlight.

A row of carved wooden Krampus masks with goat horns, bared teeth, and red tongues hangs on a plank wall inside a rustic barn, illuminated by a warm lamp on the left with a view of a snowy landscape through an open doorway.

A row of large carnival puppets with papier-mâché heads and satin robes stands in a yard under a large mango tree in Olinda, illuminated by soft morning light.

Three wooden marionettes—a witch, a king, and a jester—hang from a wooden beam in a dimly lit, dusty workshop, illuminated by a single shaft of light from a small window.

A view from inside a kite shop in Weifang, where numerous colorful silk kites shaped like swallows, butterflies, and dragons hang from the wooden rafters, illuminated by sunlight streaming through an open doorway.

A large, distorted shadow of a clown with a pointed hat and outstretched hand is cast onto the striped fabric wall of a tent, illuminated by a small, glowing oil lamp on the ground.

A close-up view of intricately carved Māori wooden panels featuring spiral koru patterns and figures with paua shell eyes, illuminated by raking light from the left.

Several patchwork quilts made of denim, corduroy, and red fabric hang on a clothesline in a rural setting during late afternoon, with sunlight backlighting the textiles and pecan trees in the background.

An unfinished wooden Barong mask sits on a workbench covered in wood shavings, with a finished, colorful mask hanging on the wall behind in a sunlit workshop.

A puppeteer sits behind a white screen in a dimly lit room, manipulating two traditional Javanese wayang kulit shadow puppets with rods inserted into a banana trunk, illuminated by a hanging brass oil lamp.

A vintage carnival shooting gallery features rows of weathered, painted tin ducks and star-shaped targets on wooden shelves under strings of glowing bulb lights at dusk.

A red ringmaster's tailcoat with gold embroidery hangs on a wooden hook inside a canvas tent, with a black top hat resting on a shelf above and a coiled leather whip lying on the dirt floor.

Two masquerade dancers wearing tall, ornate mitre headdresses with streaming ribbons, white mesh masks, and green and gold tunics perform on a dusty village street in front of a volcanic mountain under bright sunlight.

A Sicilian opera dei pupi stage features several armoured marionettes hanging from rods, illuminated by warm footlights against a hand-painted castle backdrop.

A large, intricate Junkanoo headdress made of red and gold crepe paper sits on a workbench inside a dimly lit workshop, viewed through a window at night.

A low-angle night shot of a carnival fun house entrance featuring painted clown faces, illuminated by rows of light bulbs, with wet gravel and scattered debris in the foreground.

A large, intricately decorated wau bulan kite stands in a rustic workshop, backlit by a window, with bamboo frames stacked against the wall and craft materials scattered on a wooden table.

A group of performers wearing colorful patchwork suits and elephant-like masks dance down a sunny street lined with buildings and Colombian flags during a carnival celebration.

A line of Caboclos de lança performers in traditional beaded collars and large, colorful cellophane wigs stand in a sugarcane field at dawn with spears and ribbons.

A row of carved wooden African tribal masks is displayed on a dark wall, illuminated by dramatic side lighting that highlights their textures and details.

Four colorful Karagöz shadow puppets are displayed on a backlit white screen inside a dimly lit workshop.

A carved wooden mask with curling horns and a grinning expression rests on a granite windowsill next to a window with natural light.

A row of colorful star-shaped piñatas with fringed tissue paper cones hangs from a wooden beam in front of a rustic, whitewashed building during golden hour.

Bunches of colorful flint corn hang from nails on the weathered grey wooden planks of a barn, illuminated by warm, low-angle golden hour light with visible dust motes in the air.

A sunlit potter's workshop in Alto do Moura, Caruaru, features shelves filled with painted clay figurines depicting a traditional São João festival scene, including a forró trio, dancing couples, and a miniature bonfire.

A performer wearing a traditional Barongan mask with a black horsehair mane and peacock feathers performs outdoors under bright sunlight.

A colorful paper diamond kite with a crepe paper tail is pinned to a textured, whitewashed plaster wall, illuminated by side light that casts a shadow and reveals the internal bamboo structure.

A traditional Peliqueiro mask with a painted mitre and a set of brass cowbells on a leather belt rest on a wooden chest inside a rustic stone room with natural light from a window.

A workshop in Foshan displays several papier-mâché lion dance heads in various stages of completion on wooden shelves, illuminated by a single hanging light bulb above a workbench filled with paint pots and brushes.

A close-up of a Rangda mask with bulging eyes, curling tusks, and long white hair, illuminated from below by an oil lamp in a dark setting with smoke.

A high-angle view of Shortknee masqueraders in Grenville, Grenada, wearing white wire-mesh masks, floral puffed trousers, and mirror-adorned bibs while throwing white powder during a sunny carnival celebration.

A collection of ornate marionettes in period costumes hangs from wooden crosses in a dimly lit backstage area, illuminated by a single hanging work lamp.

An Iban pua kumbu textile featuring crocodile and tree motifs hangs on the wooden wall of a longhouse gallery, illuminated from below by a glowing oil lamp at dusk.

Bunches of woven ketupat cases made from young coconut leaves hang from a bamboo frame at a bustling outdoor market, illuminated by the warm glow of the morning sun.

A collection of round, hand-woven baskets with geometric patterns in straw, madder red, and black are arranged on a textured, whitewashed surface under bright, direct sunlight.