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A freshly cast silver ring tree, still covered in plaster residue and steaming, sits on a dark workbench under a single bright overhead light in a jewelry workshop.

A freshly cast tree of silver rings on its sprue, just washed out of its white plaster investment and still steaming in a casting room in Arezzo, plaster crumbs clinging to the branches, one hard lamp from above, the dark room behind, 85mm, silver, plaster white and charcoal Ver mais

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A soldering iron rests in a brass-wool holder with smoke rising, next to a green circuit board held by a helping-hands tool on a cluttered electronics workbench.

A funnel suspended by a string swings over a sheet of black paper, creating a complex geometric pattern with white sand in a dimly lit, vintage-style laboratory.

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An open industrial kiln in a dark workshop glows with intense heat, illuminating rows of plaster casting flasks inside while steel tongs hang on the side.

A pair of pearl drop earrings rests on a black lacquer board in a workshop, surrounded by floating flakes of gold leaf illuminated by a shaft of natural light.

A cluster of metallic, striated stibnite crystals stands upright on a black velvet surface, illuminated by a sharp beam of light from the left.

A block of wet, silver-grey clay sits on a circular plaster bat in a pottery studio, featuring a freshly cut face with visible wire-cut ridges illuminated by soft, natural light from a nearby window.

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A chrome prosthetic arm lies on a white table surrounded by surgical tools in a dimly lit, industrial warehouse setting illuminated by a single overhead surgical lamp.

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