> **A cinematic dark-fantasy / industrial science-fiction scene in the underground city of Midian, not as a theatrical gothic spectacle but as a lived-in place. A perplexed, beautiful lesbian vampire with exaggerated voluptuous proportions sits at a small worn café table with an ordinary middle-aged man, both quietly drinking coffee as if this were an entirely normal afternoon. She is monstrous but relaxed, slightly bemused, no seductive pose, no performance, no theatricality. Around them live the inhabitants of Midian: strange humanoid monsters, cyborgs, scarred mutants and posthuman figures going about their daily lives, talking, repairing machines, carrying objects, drinking, smoking, crossing the street.** > > **The environment feels like a world that exists around the characters rather than a backdrop designed for them. Industrial stone, damp concrete, corroded metal, pipes, cables, old machinery, archaic architecture fused with brutalist infrastructure. No neon cyberpunk clichés, no holographic advertisements, no glossy futuristic city.** > > **A Nocturnus-like sonic environment is made visible indirectly: distant laser fire flashes between buildings, a beam passes above the café, mechanical warning lights and strange electronic devices emit small bursts of light and noise. The feeling is that the listener is physically standing inside a science-fiction death-metal world: cyborg soldiers and machines are actually nearby, not represented symbolically.** > > **At the Ver mais