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A man resembling Nicolas Cage sits at a desk, redacting an old parchment with a black marker. Pizza and a binky are nearby. Behind him, portraits and scales of justice draped with dollar bills. Promotional text reads "National Treasure 3: Black Marker Bureau."

A man resembling Nicolas Cage sits at a desk, redacting an old parchment with a black marker. Pizza and a binky are nearby. Behind him, portraits and scales of justice draped with dollar bills. Promotional text reads "National Treasure 3: Black Marker Bureau."

A hyper-realistic, moody cinematic film promotional poster 'National Treasure 3: Black Marker Bureau.' In the foreground, a rugged and weary Ben Gates (Nicolas Cage likeness) sits at a cluttered mahogany desk in a dimly lit, shadow-heavy office. He is intensely focused, using a thick black permanent marker to redact lines from a crumbling 18th-century parchment. Beside his hand sits a cold slice of pepperoni pizza on a grease-stained paper plate and a condensation-covered glass of deep purple grape soda. In the shallow focus of the mid-ground, a single, haunting object rests on the desk: a weathered, dusty baby binky with a cracked plastic handle. The background is a wall of opulence and secrets—heavy gold-framed oil paintings of stern, wealthy 19th-century men whose eyes seem to follow the viewer. On the wall, a large, tarnished brass scales of justice is partially obscured, draped with cascading, dirty hundred-dollar bills that hide the scales entirely. The atmosphere is thick with dust motes and cigarette smoke, lit by a single, harsh green desk lamp (banker’s lamp style). In the bottom right, a small pdf logo over the image. 8k resolution, anamorphic lens flares, gritty neo-noir aesthetic. Ver mais