An oil painting of a surreal, desolate landscape with crumbling ziggurat-like structures, bare trees, and a broken jar spilling black liquid. Floating film strips with eyes drift in the stormy sky, and distorted clock faces are visible on buildings, all in burnt umber, crimson, and ochre tones.

A masterful oil on canvas painting, 4:3 horizontal composition, gallery-quality fine art piece destined for a conceptual art gallery in Tehran. The artwork is a deeply personal surrealist-Dadaist vision created by a depressed Iranian artist in 2026 under wartime conditions, channeling the psychological weight of existence into layered, non-minimalist symbolism. Heavy impasto brushwork with thick, aggressive texture and deep, saturated pigments — burnt umbers, oxidized crimsons, tar blacks, and sulfurous ochres — applied with visceral, confident strokes that catch the light like scar tissue. The scene depicts a fractured dreamscape where Persian poetic motifs dissolve into dystopian architecture: crumbling ziggurat-like structures fused with organic decay, shadowy figures with elongated proportions reminiscent of Beksiński's biomechanical horror yet distinctly original, and melting clocks or warped objects that nod to Dalí's paranoia-criticism without imitation. Somewhere in the composition, a shattered clay vessel (a nod to the artist's pottery background) bleeds dark liquid into a desolate landscape, while photographic negative strips or ghostly apertures float in the sky like wounded eyes, referencing their photography practice. The atmosphere is suffocating yet intellectually dense — no yellow sensationalism, no surface-level decoration. Hidden layers of meaning drawn from Persian literature and Sufi mysticism are embedded in the decay: perhaps a withered cypress tree, a Voir plus