Imagine you’re curating an international exhibition titled Wishbone. Create a collection of 10 original contemporary fine art works in which the wishbone is always the unmistakable primary subject or recurring visual motif. These should feel like works that belong in a contemporary gallery or museum. They may be paintings, mixed media, collage, illustration, textile-based, heavily textured, or otherwise experimental, but they should always feel like fine art rather than product design, concept art, furniture, logos, decorative graphics, or commercial illustration. Every work should feel as though it was created by a completely different fictional artist with their own visual language, philosophy, and creative process. No two pieces should share the same composition, palette, mood, mark-making, material choices, or artistic approach. Each should feel worthy of its own solo exhibition. Draw inspiration from the full breadth but never imitate any identifiable artist or existing artwork. Prioritize originality, creative risk, and unexpected ideas over convention. If a concept begins to resemble a previous one, abandon it and invent something more surprising. Take from abstract creative artist of all moods and mediums. Treat the wishbone as a visual language rather than simply an object. It may appear as a single monumental form, a repeated motif, a fragmented structure, an implied shape, a field of marks, or something pushed to the edge of abstraction, but it should always Voir plus