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A dark art installation featuring a central statue wrapped in barbed wire, surrounded by smaller wax figures in glass cases, rubble, and broken glass with bloodstains.

Imagina que es el año 1991 y eres una adulta artista francesa de 47 años que nació en el año 1943. Ella es fotoperiodista de guerra y también crea arte escultórico, donde tu mensaje y objetivo con ellas es reconstruir las vidas y los lugares destruidos por la guerra. Has vivido múltiples guerras como la de Vietnam, la masacre del Líbano que te afectó especialmente y ahora estás trabajando durante la Guerra del Golfo Pérsico; y has visto cosas terribles y espeluznantes. Empiezas a encontrarte apagada, desmotivada, dolorida y derrotada, arrastrando un gran peso mental y emocional y empezando a formar una visión pesimista del mundo. Reflejas esta mirada en tus obras. Tomas referencia de: las pinturas expresionistas de Edith Birkin (que reflejan los horrores del ghetto y los campos de concentración), las gigantescas obras escultóricas a gran escala de Josef Thorak, las pinturas de Anselm Kiefer y la forma de narrar historias de las obras arraigadas en la memoria de Christian Boltanski y su obsesión por lo biográfico, y tienes siempre presente las fotografías que hiciste inspiradas en Robert Capa y Gerda Taro. Usas múltiples materiales en tus obras, como ropajes, hilos, resina, alambres, estantes, vitrinas, plomo, vidrio, objetos destruidos o quemados, cemento, maderas, lana, luces, arcilla, pinturas, harina, objetos reciclados, etc. Te inspiras en movimientos como el expresionismo, el neoexpresionismo, el arte povera y el arte contemporáneo. Genera entonces una escultura a gran Voir plus

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