Image

Logo

Anime

Tatouage

Design d’intérieur

T

Affiche

Supprimer le fond

Agrandir une image

Image en SVG

Studio

Passer en Pro

S'inscrire

Monolithe de béton dans un entrepôt

A large, weathered concrete monolith stands in the center of a dark, industrial warehouse space illuminated by a single shaft of light.

Retouché

Techno night poster 'Monolith', 5 December 2026, Warehouse 9: brutalist black and white, a concrete slab, tiny precise type

More images like this

A large, weathered concrete monolith stands in the center of a dark, industrial warehouse space, illuminated by a single shaft of light.

A black and white, wide-angle view of an empty concrete parking garage rooftop at dawn, featuring brutalist pillars and a distant city skyline silhouette.

A single white high-top sneaker sits on a concrete plinth in a raw, dark concrete room, illuminated by a dramatic shaft of sunlight streaming through a circular oculus in the ceiling.

A black and white photograph of a large, industrial fish auction hall with stacks of empty crates on either side, a wet concrete floor reflecting the overhead strip lights, and open doors revealing a harbor with fishing boats at dawn.

A wide-angle view of a brutalist raw concrete staircase inside a gallery, featuring sharp geometric shadows cast by sunlight through large windows.

A folded black heavyweight hoodie rests on a raw concrete block in a minimalist industrial space, illuminated by a single beam of morning light from a tall window.

A black and white, straight-on architectural photograph of a concrete building facade featuring a repetitive grid of deep, recessed sun-breaker compartments with sharp shadows.

A tall stack of folded white, grey, and black t-shirts sits on the concrete floor of a large, dimly lit industrial warehouse, illuminated by a single, dramatic shaft of sunlight streaming from a skylight above.

A wide shot of a dark, empty indoor arena with a single bright spotlight cutting through the haze onto a bare stage.

A towering stack of matte-black shoeboxes sits in the center of an industrial warehouse with concrete floors and brick walls, illuminated by overhead fluorescent lights, with a single bright orange sneaker visible in an open box on the floor.

A black and white, full-length photograph of a woman in a long black gown walking away from the camera along the central water channel of the Salk Institute's travertine courtyard toward the Pacific Ocean under bright, midday sun.

A single beam of sunlight illuminates dust particles in the center of an abandoned, dark brick warehouse with rusted steel trusses and an oil-stained concrete floor.

A graphic design poster featuring the text 'Moins mais mieux.' in large black sans-serif font on a white grid background, with technical annotations and registration marks.

A lone figure walks across the concrete floor of the interior of the Church of Saint-Pierre in Firminy, illuminated by a single shaft of sunlight from above and a constellation of light points on the wall.

A silhouette of a person sits on a large metal lighting truss suspended high above a dark arena stage, illuminated by a single bright spotlight cutting through the haze.

A symmetrical, black and white photograph of a brutalist concrete stairwell with a central spiraling structure and a single skylight at the top.

A minimalist interior view of the Sancaklar Mosque prayer hall, featuring a stepped raw concrete ceiling, a rough stone wall illuminated by a horizontal light slit, and a pale carpeted floor.

A wide-angle view of a multi-level library reading hall at night, featuring terraced wooden desks illuminated by warm lamps under a dark, slanted ceiling with skylights.

A woman in a dramatic, asymmetric black gown walks through ankle-deep water in a flooded, industrial warehouse, illuminated by a single shaft of light from a skylight above.

A tall, textured concrete monolith stands in a dark, industrial setting with grid-patterned windows, illuminated by dramatic side lighting.

A minimalist, seamless slate grey studio backdrop features a single matching rectangular plinth centered in the frame, illuminated by soft, high-contrast light creating deep shadows.

A graphic poster with the word 'NIGHTSHIFT' in large, glitch-effect green letters over a black background, with '21 MARS', 'WAREHOUSE 9', and 'BERLIN' written below in a similar style.

A low-angle view of a concrete brutalist staircase bathed in bright sunlight, creating a stark contrast between illuminated steps and deep shadows.

A graphic design magazine cover titled GRID featuring a geometric composition of red, black, and grey blocks and lines on a white background.

A lone person stands on the concrete floor of a vast underground flood control tank, illuminated by a single shaft of daylight streaming from an overhead hatch amidst numerous massive concrete pillars.

The interior of a brutalist church features massive, asymmetrical concrete blocks and a central vertical window revealing a blue sky, with rows of wooden pews arranged on a dark stone floor.

Silhouettes of people stand in a dimly lit, industrial warehouse space with red ambient lighting and a bright beam of daylight entering through an open steel door.

A beam of sunlight shines through a square opening in the ceiling of a vast, concrete atrium characterized by geometric, nested box-like structures.

A row of matte black android figures with glowing amber neck rings stand in individual concrete alcoves along a wet, dimly lit hallway.

A black and white view from the wings of a theater stage, featuring a lone microphone stand with a coiled cable and a drum riser with tape markings under work lights, overlooking a dark, empty auditorium.

A weathered concrete wall with a prominent diagonal shadow cast by an architectural beam under afternoon sunlight.

A young man with wavy light-brown hair, wearing a grey overcoat and black turtleneck, stands in front of the stacked concrete blocks of the Wotruba Church in a black and white photograph.

A low-angle view of a theater fly tower featuring numerous ropes and hanging sandbags against dark brick walls, illuminated by a single work light from below.

A black and white photograph of an open wooden door in a textured, whitewashed wall, with sunlight casting a bright trapezoid onto the stone floor of a dark, empty room.

A group of figures stands on the wet concrete floor inside a massive, circular cooling tower, with a beam of sunlight illuminating the rising mist.

A steel skyscraper frame under construction at dusk, with workers silhouetted on the girders and a crane at the top, overlooking a city skyline with glowing windows.

A tall, rectangular black concrete slab stands upright against a plain white background, casting a long shadow to the left, with small text reading 'MONOLITH WAREHOUSE NINE' centered below it.

A minimalist brutalist chapel interior features a cruciform skylight that casts a bright cross of light onto the grey concrete floor.

A black and white photograph of a long, concrete portico with a row of thin rectangular columns and larger round pillars, featuring strong, rhythmic shadows cast across the floor by sunlight.

A low-angle, black and white photograph of a brutalist concrete building with geometric, protruding window sections set against a stark white sky.

A minimalist view of a textured, board-marked concrete wall featuring a single small square window framing a patch of clear blue sky, illuminated by raking late afternoon sunlight from the left.

A rectangular concrete bench with visible wood grain texture and tie holes sits in a large, empty industrial hall, illuminated by a sharp beam of sunlight from a high window.

A view of a concrete stairwell with board-marked walls, featuring a narrow window casting a shaft of light across a landing and metal handrails along the ascending stairs.

A straight-on, symmetrical view of a large brutalist apartment building featuring a repetitive grid of concrete balconies under soft, overcast lighting.

A minimalist concrete church interior features rows of simple benches facing an altar with a small cross, illuminated by a horizontal slit of light and vertical light strips along the walls.

A vertical raw concrete wall featuring horizontal formwork lines and tie-rod holes, illuminated by cool light from a high window.

A low-angle view of a brutalist concrete courtyard with a stone-paved floor, potted plants in the center, and sharp geometric shadows cast by high-noon sunlight.

A minimalist poster with a white line-art isometric drawing of a high-rise apartment building on a solid dark blue background, featuring text at the top and bottom.

A silhouette of a person sits on a wooden bench inside the Ronchamp chapel, with colorful light filtering through recessed windows onto the textured concrete walls and sloping floor.

A black and white photograph of the attic of Casa Milà in Barcelona, featuring a long, curving tunnel formed by white brick catenary arches with soft light entering from small windows on the left.

An empty, curved concrete corridor in the National Assembly of Dhaka features large circular and triangular cutouts in the wall, casting geometric patterns of sunlight onto the floor and walls, with thin white marble strips inlaid in the concrete.

A black and white photograph of the zinc-clad facade of the Jewish Museum in Berlin, featuring sharp, angular window slashes and the shadow of a bare tree cast across the metal surface.

A matte black geometric sculpture with sharp angles and curved voids sits on a pedestal in a minimalist concrete gallery space under soft side-lighting.

An abandoned, dilapidated ice hockey arena with a cracked rink and a single goal net, featuring a column of snow falling through a large hole in the ceiling into the dark, empty stadium.

A view down the central aisle of a minimalist concrete church, featuring a vertical slit of bright light illuminating the altar against dark, textured walls.

A minimalist view of a concrete courtyard with a bridge connecting two rooms, captured during a rainstorm under a cloudy sky.

An interior view of a brutalist concrete church with a sloping floor and a single, sharp diagonal beam of sunlight cutting across the rough grey walls toward the altar.

A large concrete monument casts a long, sharp shadow across a vast, tiled plaza under bright, high-contrast sunlight.

A close-up view of a brutalist concrete staircase in deep shadow, with a single sharp beam of light illuminating the edge of one step.

A lone figure performs a backbend on a concrete ramp inside the vast, hazy Turbine Hall of the Tate Modern, illuminated by a single shaft of light from above.

A single wooden bench sits on a concrete floor in a dark, minimalist room, illuminated by a thin vertical beam of light entering through a narrow slit in the wall.

A graphic design poster with the text 'CONCRETE CINEMA' above a horizontal line and '8-15 octobre 2027' below, all set against a textured grey concrete background.

A lone silhouette of a person walks through the vast, concrete-pillared underground flood control tank in Kasukabe, illuminated by a row of warm work lights against a hazy, dark background.

A high-angle, symmetrical view looking down from the metal catwalks of a theater fly grid onto a brightly lit stage below, with vertical ropes and steel structures framing the scene.

A low-angle view of a brutalist building facade featuring a repeating pattern of concrete balconies and deep shadows.

A black and white photograph looking through the vast, ribbed concrete interior of the Écausseville airship hangar, with sunlight streaming through the open far doors to create a bright path across the floor and reflecting in scattered puddles.

A poster titled 'VILLES DE PAPIER' features a detailed paper-cut model of a city skyline, including the Elbphilharmonie, set against a plain background with grid-like layout elements.

A view from the wings of a theater stage, featuring a single work light on a tripod illuminating the scuffed wooden floor and a bare brick back wall, with coiled cables and ropes hanging in the foreground.

A cinematic view from a window looking out at a dark, rainy Vienna courtyard at night, with a single illuminated window revealing a silhouette and a street lamp casting light on the wet cobblestones.

A pair of silver wire-frame glasses sits on a rough concrete block in a dark, dusty room, illuminated by a single dramatic beam of light.

A graphic design poster featuring the Portuguese phrase 'Menos mas melhor' in large, bold, black sans-serif typography on a light beige background with grid lines and technical annotations.

A low-angle view inside a dark, cavernous structure with charred, ribbed concrete walls and a teardrop-shaped opening in the ceiling that allows a single shaft of daylight to illuminate a pool of rainwater on the floor.