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Bories de piedra seca al sol

A red chalk drawing depicts two beehive-shaped dry-stone bories with corbelled roofs surrounded by wild vegetation under low-angled sunlight.

A red chalk drawing of the dry-stone bories near Gordes, beehive stone houses with corbelled roofs among wild thyme, every stone hatched in sanguine, the last sun low behind them rimming each dome, long shadows reaching toward us, rust red on cream, flat and square-on, edge to edge, no paper margin or border Ver más

#House drawings

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A red chalk sketch of the beehive-shaped sandstone domes of Kings Canyon in Australia, featuring a prominent ghost gum tree and long shadows cast across the landscape.

A lino-cut print style illustration of traditional beehive-shaped houses in a desert setting under a setting sun, featuring radiating carved lines and long shadows.

A charcoal and white chalk drawing on toned grey paper depicts a whitewashed cave dwelling carved into a hillside, featuring an arched doorway and a prominent chimney.

A watercolor painting depicts the stone ruins of the Hvalsey church in Greenland, surrounded by wet green grass with a large iceberg visible in the foggy background.

A stylized, two-tone risograph-style illustration of the Chocolate Hills in Bohol, featuring brown rounded mounds under a flat pink sky with a pale sun on the left.

A conté crayon drawing on buff paper depicts the stone hamlet of Bulnes nestled in a deep limestone valley surrounded by towering, jagged mountain peaks.

A risograph-style print of three traditional trulli houses in Alberobello at dusk, featuring a two-color overprint of fluorescent pink and teal with slight misregistration.

A sepia ink wash drawing depicts traditional cave dwellings carved into terraced loess hills in northern Shaanxi, featuring arched doorways and rugged gullies under a dark, moody sky.

A drypoint etching depicts a rural Dutch landscape with a farmhouse and pollarded willow trees under a dark, rain-filled sky, with a small stream flowing toward the foreground.

A conté crayon and white chalk drawing on grey paper depicts the chapel at Ronchamp, featuring its iconic curved roof and white walls set against a stormy sky above a grassy hill.

A whitewashed windmill with dark wooden sails stands on a dry, arid landscape under a clear sky, rendered in a gouache painting style.

A stone monastery with stupas sits atop a large sand dune, connected by strings of prayer flags, rendered in a pen and ink style with an earthy color palette.

A pixel art depiction of the Vardzia cave monastery in Georgia, featuring numerous cave dwellings carved into a snowy cliff face above a dark river, illuminated by bright winter daylight.

A watercolor painting of a white Tinos dovecote with a triangular lattice pattern, situated on a dry, terraced hillside overlooking the sea under bright sunlight.

A low-angle view of the thick, mud-plastered adobe buttresses of a historic building under a clear blue sky, with sharp shadows cast by the midday sun.

An etching with aquatint style illustration of the Rose Hall great house, featuring its Georgian stone architecture and double staircase, overlooking a bay at dusk with a warm, sepia-toned sky.

A black and white ink drawing depicts a village of small cabins with grass-covered turf roofs nestled along a fjord under a bright, circular sun.

A red chalk drawing of a large sand dune with a sharp crest, featuring a shaded side with dense hatching and a lit side in rubbed sanguine, with a small, still lake at its base.

A cyanotype print depicting the stone beehive huts of Skellig Michael perched on a rocky cliffside above the Atlantic Ocean under bright sunlight.

An etching with aquatint depicting the Cliff Palace at Mesa Verde, showing stone towers and dwellings nestled within a sandstone alcove under a large rock overhang.

A watercolor and ink sketchbook illustration depicts the traditional painted mud houses of Tiébélé, Burkina Faso, featuring intricate geometric patterns in red, black, and white under the long shadows of morning light.

A watercolor illustration of a prehistoric village with wattle and daub huts, thatched roofs, and willow fences situated along a muddy path by a lake under a cloudy sky.

A red chalk drawing depicting the two-storey Surb Astvatsatsin Church at Noravank, featuring its distinctive cantilevered stone staircase, set against the rugged cliffs of the Amaghu gorge.

A red chalk drawing of a traditional Black Forest farmhouse with a large shingled roof and timber galleries, set against a backdrop of pine trees.

A black and white ink illustration of a prehistoric village with hide-covered huts situated along a riverbank at dusk, featuring a small campfire and several figures.

A prehistoric village of domed mammoth-bone huts sits on a snow-covered plain at dusk, with figures gathered around fires and smoke rising into a violet sky.

A gouache painting depicts a desert colony of blocky, ochre-colored buildings under a pale, multi-layered sky at dawn.

A traditional stone-built mitato hut sits on a rocky, thyme-covered plateau at sunrise, with the snow-capped Psiloritis mountain range in the background.

A reed pen and walnut ink sketch depicts the tent rocks of Kasha-Katuwe, featuring pale, cone-shaped rock formations capped with dark boulders, rendered with bold brown strokes and hatching.

A black and white photograph of the Church of the Autostrada del Sole near Florence, featuring a distinctive sweeping copper roof over rough stone walls under a bright, clear sky.

A black and white ink drawing of a medieval castle perched on a rocky hilltop above a sparse, grassy plain.

An etching in warm sepia ink depicting the brick bell tower of Bantay Church on a hill overlooking the Ilocos plain at dawn, with the sun appearing as a bright, uninked circle in the sky.

A colored pencil drawing of a traditional Ndebele homestead with vibrant geometric wall patterns under a dark, stormy purple sky.

A charcoal drawing of the roofless red-stone cathedral of Ani on a desolate plateau under a dark, stormy sky, with a single shaft of sunlight illuminating the structure.

A woodcut-style illustration of a Jōmon village with thatched pit dwellings covered in snow, with smoke rising from the roofs against a dark forest and a mountain ridge at dawn.

A small, weathered stone shrine with a glowing oil lamp sits beside a dirt path on a misty, grass-covered hillside.

A black and white ink drawing of a village with round thatched-roof houses situated on a terraced hillside.

A charcoal drawing of a Bronze Age nuraghe village on a hilltop, featuring a central stone tower surrounded by round huts with thatched roofs, with mist and smoke rising in the morning light.

A brush-and-ink drawing of a Dogon toguna with a thick thatched roof supported by eight carved wooden posts, situated at the base of the Bandiagara escarpment under bright midday light.

A graphite pencil sketch of the Djinguereber Mosque in Timbuktu, featuring its iconic mud-brick walls with protruding wooden beams and a central tower under a hazy sky.

A row of traditional Harran beehive houses with conical mud-brick domes illuminated by the warm, golden light of dusk, with long shadows stretching across a dusty courtyard.

A black and white ink drawing of a stone circle on a moorland landscape, featuring long shadows cast by the standing stones under a low sun.

An ink sketch of the ksar of Aït Benhaddou featuring earthen kasbahs with crenellated towers situated on a hill above a dry riverbed with palm trees.

A watercolor and ink sketch of a weathered timber barn with a stone foundation, set in a rural landscape during golden hour.

A gouache painting of an adobe house surrounded by saguaro cacti in a desert landscape at sunset, featuring a palette of ochre, pink, and violet.

A painting of the adobe church of Ranchos de Taos, featuring massive rounded buttresses in shades of ochre and sienna under a pale blue sky.

A charcoal drawing on tan paper depicts an expansive, moody moorland landscape under a heavy, overcast sky with a winding path leading toward distant hills.

Two stone windmill towers stand amidst dense vegetation in a hazy, monochromatic cyanotype print.

A high-angle view of a desert oasis town with domed clay buildings and palm trees surrounding a green pool at night, with a small camel train approaching across the dunes under a starry sky.

A sepia-toned ink and wash drawing depicts towering sandstone cliffs rising above a flat, arid plain with sparse vegetation, as a large dust cloud rolls across the landscape under a late afternoon sky.

A cluster of stone houses sits at the edge of a dense pine forest where it meets a vast, orange desert, with sand partially burying the structures and vines growing on the chimneys under bright daylight.

A stylized illustration of a mud-brick desert fort with a square tower, rendered in a three-color risograph print style with visible grain and misregistration.

An elevated view of the ancient T-shaped stone pillars at Göbekli Tepe, featuring animal carvings in relief, set within a circular stone enclosure under bright, warm afternoon sunlight.

A black and white ink drawing of an arched stone gateway set into a textured masonry wall, featuring varied line weights and shading techniques.

A watercolor painting of a stone nuraghe tower standing in a dry, sunlit Sardinian field surrounded by sparse trees and shrubs.

A colored pencil drawing depicts a cluster of traditional round bhunga huts with conical thatched roofs and patterned mud walls in the Banni grassland at dusk, with one hut illuminated by a warm lamp.

A red chalk sketch of the Doric temple at Segesta situated on a hillside, featuring hatched shadows between the columns and wild vegetation in the foreground.

A graphite pencil drawing of the Ziggurat of Chogha Zanbil, showing its stepped brick structure rising from a flat, arid plain under raking light.

A two-color lino-cut print depicts the ancient Newgrange passage tomb at winter solstice dawn, with sunlight streaming into the entrance, a white quartz facade, and a river flowing through the landscape.

A close-up view of a traditional Musgum mud hut with raised geometric ribbing and a keyhole-shaped entrance, surrounded by a thorn stick fence under warm sunlight.

A black and white ink wash drawing depicts a small stone cabin perched on a rocky cliffside surrounded by jagged mountain peaks and pine trees.

A prehistoric village of domed huts constructed from mammoth bones and hides sits on a snow-covered steppe at dusk, with smoke rising from fires into a violet sky.

A digital illustration of the Great Zimbabwe ruins featuring curved dry-stone walls with chevron patterns, a central conical tower, and scattered trees under a warm, golden late afternoon sky.

A watercolor painting depicts traditional thatched stone cottages at night under a starry sky, with a single glowing window illuminating the dark landscape.

A multi-story adobe pueblo structure with sun-baked clay walls and protruding wooden beams under bright, clear daylight.

A detailed ink and wash drawing of traditional wooden granaries in Zermatt, featuring weathered timber structures elevated on stone discs with slab roofs under a pale grey wash.

A lino-cut style illustration in orange and black ink depicting a Minecraft village with oak and cobblestone houses, farmland, and a square sun setting behind the structures.

An illustration of the stacked mud-brick granary vaults of Ksar Ouled Soltane in Tunisia at dusk, featuring tiered arched doorways and staircases under a violet sky.

A watercolor painting depicts a narrow, sunlit alleyway in Oualata, featuring red-plastered walls adorned with white painted swirls around doorways, with deep violet shadows cast on either side.

An ink wash drawing depicts a traditional arched reed house in a marshy landscape at dusk, with water buffalo swimming in the foreground and their reflections visible in the water.

A graphite pencil drawing on tan paper depicts the Tre Cime di Lavaredo mountain peaks at dawn, with the Rifugio Locatelli building in the foreground.

A coiled straw beehive skep sits inside a stone bee bole in a garden wall, illuminated by warm, raking late afternoon sunlight in a style reminiscent of a vintage tintype photograph.