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Photorealistic scene of a man looking at his smartphone standing next to a humanoid robot in a wet plaza at night with an illuminated fortress in the background.

CREAR UNA IMAGEN POTENTE, ESPECTACULAR, GENIAL, COMO SI LA HUBIESE DISEÑADO ELMEJOR DISEÑADOR Y FOTOGRAFO DEL MUNDO, SOBRE EL SIGUENTE TEXTO. DICHA IMAGEN NO LLEVARÁ NINGUN TEXTO Y TENDRÁ LA MAXIMA RESOLUCIÓN Y CALIDAD. La manifestación de la Alhambra había terminado sin muertos y, por unas horas, aquello pareció una victoria. El Gobierno había cedido: limitaría la producción nacional de robots y suspendería las nuevas importaciones procedentes de China y Estados Unidos. Los representantes de los trabajadores migrantes aceptaron el acuerdo y Granada recuperó la calma. Pero aquella misma noche, un artículo firmado por Elías Ferrer, profesor de Filosofía de una universidad de Barcelona, incendió las redes. Su título tenía cuatro palabras: «Los robots somos nosotros». Antes del amanecer, millones de personas lo habían leído. Ferrer no defendía a los robots ni atacaba a los trabajadores. Hacía algo mucho más incómodo: preguntaba si la diferencia entre una máquina y un ser humano era realmente tan profunda. Un robot recibía información, la procesaba y respondía según la estructura que lo constituía. El ser humano hacía algo parecido. Nacía con un cerebro, unos genes y un sistema nervioso que jamás había elegido. Nadie decidía antes de nacer qué le produciría miedo, hambre, placer o deseo. «Llamamos libertad a una programación cuyo código desconocemos», escribió. La idea parecía nueva, pero Ferrer la conectaba con una intuición mucho más antigua. Leibniz había imaginado un Ver más

#sci-fi #futuristic #cityscape

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