A brutalist high-rise wall dissolves into floating, tilted geometric planes of pure black, white, and vermilion red (after Malevich's Suprematism). The window grid fractures like shattered glass, but instead of realistic debris, the fragments transform into independent colorful rectangles flying upward at sharp angles. In the center, a single window contains a tiny upright human figure engulfed in cold, silent flame. The fire does not flicker — it erupts outward as rigid, sharp-rayed lines (Luchism), piercing the surrounding grey concrete. The architecture below is rendered as heavy, textured impasto with tar and ash, while the upper half of the canvas is completely flat, abstract, dominated by a large floating red square that seems to absorb the heat. Tension between material decay and geometric transcendence. --ar 3:4 Ver más