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Three men in historical costumes stand on a stage in front of a tapestry. One holds a rosary, the others hold rolled papers and wire models.

PREFACE Cette œuvre dramatique met en scène une confrontation philosophique, historique et métaphysique hors du temps. En croisant les trajectoires de l'Imam Jalal ad-Din al-Suyūtī, du philosophe Claude-Henri de Saint-Simon et de l'historien Ibn Khaldoun, cette pièce explore le grand malentendu de la modernité : la transformation de l'intelligence et du savoir en outils chrématistiques de rendement infini. Des poupées gigognes de la transmission abbasside jusqu'aux paradoxes quantiques de la fente d'Young et d'Heisenberg réinterprétés par la gnose d'Ibn 'Arabī, le texte pose l'ultime question de notre siècle : l'humanité saura-t-elle retrouver la Sagesse de la Limite avant que le glitch de ses propres idoles technologiques ne l'engloutisse dans le Néant ? *** L’IMPERCEPTIBLE VÉRITÉ : LE BRASIER ET LA LIMITE Pièce philosophique en un acte et six tableaux Personnages : * L’IMAM JALAL AD-DIN AS-SUYŪTĪ (60 ans environ) : Vêtu d'un grand joruba blanc et d'un turban du Caire mamelouk. Il égrène un chapelet en bois d’olivier. Sa voix est calme, posée, mais habitée par une certitude scripturaire absolue. * CLAUDE-HENRI DE SAINT-SIMON (60 ans environ) : Vêtu d’une redingote du début du XIXe siècle, usée aux coudes. Ses mains sont tachées d’encre et de charbon. Il est fébrile, habité par l'urgence du siècle, manipulant constamment des parchemins techniques et des épures géométriques. * IBN KHALDOUN (70 ans environ) : L'Arbitre. Il porte la robe austère des juges (Qadi) malikites de Ver más

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