Fair. SVG was never going to get there. **The suit — base** The TASM2 suit as filmed: deep crimson red with a slight satin sheen, deep navy-blue lower legs, hips, forearms and shoulders. Raised black webbing across the red — actual sculpted cord standing proud of the fabric, not a printed pattern, catching a hard edge highlight along each strand. Large teardrop lenses with a thin brushed-gold rim, black spider emblem on the chest, blue-black boots and gloves. Visible fabric weave up close, slight matte scuffing at the knees and elbows. **What's changed** Overlaid on the red, a second material: a dark graphite-black weave with a faint iridescent oil-slick shift, running in narrow bands over the shoulders, along the spine, and across the outer forearms. It reads as part of the suit rather than added to it — the red panels flow into it. On the upper back it thickens into a low ridged spine rail, and slim angular black plates sit over the deltoids and forearms, matte with a fine machined grain, canted like insect chitin rather than armor plate. **The limbs** Four of them, seated in pairs along the spine rail. Each is roughly two and a half metres extended and built in tapering segments — a heavy proximal segment about as thick as a forearm, then a slimmer one, then a fine tapering tip. Same graphite-black weave as the suit bands, semi-gloss, with the iridescent shift catching light along the top edges. At each joint a small exposed knuckle of deep crimson, the only colour on Mehr sehen