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A group of people observe a nude male classical marble statue on a pedestal in a dimly lit museum, with exhibition text projected on the wall.

Verwandlung- Kunst zwischen Idee, Körper und Wirklichkeit Erstellen Sie in Auseinandersetzung mit Pygmalion aus den Metamorphosen des Ovid (Ov. met. 10,243-297) eine künstlerische Arbeit mit einem eigenen thematischen Schwerpunkt. In Ovids Metamorphosen erschafft der Bildhauer Pygmalion, da er selbst von den Makeln und der Unvollkommenheit der Frauen in seiner Umgebung abgestoßen ist, eine Statue, die so vollkommen und ideal erscheint, dass er sich unsterblich in sie verliebt und sie wie ein leben- diges Wesen behandelt. Pygmalions Sehnsucht und Zuneigung ist so groß, dass er schließlich die Göttin Venus bittet, ihm eine Frau zu schenken, die seiner Statue gleiche. Venus erkennt sein Begehren und erfüllt seinen Wunsch: Die Statue erwacht zum Leben, aus Kunst wird Wirk- lichkeit -aus Ideal wird Mensch. Die Geschichte wirft grundlegende Fragen auf, die Kunst und Gesellschaft bis heute beschäftigen und in Zeiten digitaler Transformation eine neue Dimen sion gewonnen haben Gesucht werden innovative Ideen, die den antiken Mythos künstlerisch neu interpretieren, die den Wandel sichtbar oder fühlbar machen, die die Grenzen zwischen Kunst und Leben, Natur und Technik, Idee und Körper, Original und Abbild neu ausloten. Am wichtigsten sind dabei die individuelle Auseinandersetzung mit dem Mythos, das Auffinden eines eigenen Zu- gangs sowie dessen künstlerische Umsetzung. Textbezug der Aufgabenstellung: Publius Ovidius Naso, Metamorphosen 10,243-297 (siehe unten). Textausgabe: Publius Mehr sehen

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