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A surreal painting of two intertwined silhouettes with long necks, one pregnant, against a reddish field, a cloudy sky, and a graffiti-covered wall.

Photorealistic ultra-realistic 1970s analogue chemigram, represented in perspective with an oblique inclined dual warped vanishing point, represented with silver halide grain and irregular light leaks and diffuse chemical blooms, drawn in progressive concept art style with polished gradient airbrush, in ultra-sharp focus and ultra-high resolution, with split-diopter effect and soft lens breathing, with subtle cinematic film grain and muted colors, with ultra-realistic specular+diffuse radiosity lighting combined with uneven exposure, with non-linear shadow diffusion and dither-like tonal breakup in the blacks, engraved on reflective matte fine-art paper dibond support. The scene takes place during rising dawn with a cloudy pale-blueish-and-pale-yellowish-and-whiteish sky, and is emerging from a very high irregular decayed windy curvy autumn carmine-reddish-and-orangeish field with trees and scratched rocks and a broken decayed wall painted with curved warped abstract black silhouettes. The picture depicts the vertigo low-angle shot of an extreme close-up portrait of bent elongated intertwinned silhouettes (one is male, one is pregnant) are represented in fragile balance with very long necks and oversize heads. The picture must look like a real scanned archival print, sharp detail, high dynamic range, subtle film grain, matte paper texture. Mehr sehen

#surrealism #fine art #landscape

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