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Men in Roman togas gather around a statue on a pedestal in a grand, ornately decorated hall with wall frescoes and a mosaic floor, lit by torches.

„Augustus, die Statue der Minerva ist verschwunden!“ „Unmöglich. Sie stand noch gestern im Atrium.“ „Heute Morgen fanden wir nur eine Kopie.“ „Eine Kopie? Dann steckt mehr dahinter als ein gewöhnlicher Diebstahl.“ „Genau das glaube ich auch.“ „Wer hat die Statue zuletzt gesehen?“ „Der Bildhauer Lucius.“ „Der Mann, der für die Werkstätten am Tiber arbeitet?“ „Ja. Seine Werkstatt stellt dutzende Statuen her.“ „Natürlich. Reiche Römer wollen berühmte griechische Meisterwerke in ihren Villen. Deshalb kopieren unsere Werkstätten sie in großer Zahl.“ „Und Lucius beherrscht das Punktiersystem.“ „Das mechanische Messwerkzeug?“ „Ja. Damit überträgt man die Maße eines kleinen Tonmodells exakt auf einen großen Marmorblock.“ „Dann könnte er eine perfekte Kopie angefertigt haben.“ „Die Spur führt tatsächlich zu ihm.“ „Erzähle weiter.“ „In seiner Werkstatt fanden wir Tonmodelle, Messgeräte und frische Marmorspäne.“ „Woher stammte der Marmor?“ „Aus einem riesigen Rohblock aus einem Steinbruch.“ „Wie jede gute Statue beginnt.“ „Danach schlugen die Steinmetze die grobe Form mit schweren Eisenmeißeln und Hämmern heraus.“ „Und der Meister übernahm die Feinarbeit.“ „Haare, Faltenwurf, Gesichtszüge – alles mit feineren Meißeln und Bohrern.“ „Wurde die Oberfläche poliert?“ „Mit Bimsstein, Sand und Schleifmitteln, bis sie vollkommen glatt war.“ „Dann klingt alles nach einer gewöhnlichen Werkstatt.“ „Nicht ganz.“ „Warum?“ „Die verschwundene Statue war wertvoller als jede andere.“ „Wegen ihres Mehr sehen

#ancient rome #history #art

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