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Pencil sketch of a man in a suit with a blue political sign covering his face.

Eine einfache, grobe digitale Bleistift- und Fineliner-Skizze als Konzeptzeichnung für ein Kunstprojekt. Komposition angelehnt an René Magrittes „Der Sohn des Mannes“, aber keine Kopie des Originals. Eine erwachsene männliche Person steht frontal und völlig unbewegt vor einer schlichten Wand, mit ähnlicher Körperhaltung und unauffälliger Alltagskleidung wie der Mann im Original. Die Person soll durch wenige dezente Details als deutscher Rechtsextremist bzw. Neonazi erkennbar sein, ohne Gewalt und ohne übertriebene oder groteske Darstellung. Vor seinem Gesicht schwebt, genau an der Stelle des Apfels im Original, ein großes blaues politisches Wahlplakat. Das Plakat verdeckt das Gesicht vollständig. Es soll optisch an ein deutsches rechtspopulistisches Wahlplakat erinnern, mit blauer Farbgebung und einem abstrakten politischen Symbol, aber ohne echten Parteinamen, Slogan oder exakte Kopie eines realen Wahlplakats. Die zentrale Bildidee soll deutlich werden: Die politische Fassade des Wahlplakats verdeckt die rechtsextreme Identität der Person dahinter. Das Plakat funktioniert visuell wie der Apfel bei Magritte und erzeugt eine bewusste Spannung zwischen dem scheinbar normalen äußeren Erscheinungsbild und der verborgenen Ideologie. Sehr einfache Schulprojekt-Skizze, lockere handgezeichnete Linien, schwarzer Fineliner und Bleistift, wenige Details, leicht unperfekt, wie schnell auf einem iPad gezeichnet. Keine fotorealistische Darstellung, keine dramatische Beleuchtung, kein Mehr sehen

#art #illustration #conceptual art

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